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04

What about Bob? 

Stefani Longshamp
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BOB ROSE

Bob Rose is an Emmy Award–winning television editor, producer, and filmmaker based in Tampa, Florida, with a career spanning documentary, reality television, and long-form storytelling.

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Most recently, Bob served as editor on the Amazon Prime docuseries Raise the Flags: 50 Years of Buccaneers Football, a comprehensive chronicle of the Tampa Bay Buccaneers franchise. He has also produced, shot, directed and edited three feature-length documentaries—InstaBAND, Token Taverns, and Functional Fitness—each released on major streaming platforms including Netflix and Amazon Prime.

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Bob is highly skilled across all forms of documentary storytelling, with experience spanning character-driven, verité, archival, and long-form narratives.   Editing for multiple unscripted  genres has refined his ability to balance intensity, character, and narrative momentum—skills that translate seamlessly across genres.

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His background in cinematography and television production further elevates his work as an editor. Having spent years behind the camera and in the field, Bob understands footage from its origin—how it was shot, why it was captured, and what it can become. This perspective allows him to take raw, unscripted material and shape it into clear, emotionally driven narratives that feel intentional, cinematic, and authentic.

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Throughout his career, Bob has collaborated with some of the most respected creatives, producers, and executives in the industry. Working alongside top-tier talent across sports, documentary, and reality television has sharpened his storytelling instincts, elevated his technical precision, and reinforced a relentless standard for quality. That collective experience has helped shape Bob into a trusted creative partner—capable of leading complex projects from chaos to cohesion.

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Bob has edited projects for major networks and platforms including Netflix, Amazon, HBO, ESPN, NFL Films, Discovery, TLC, MTV, and Showtime. Whether crafting character-driven documentaries or delivering high-pressure broadcast work under tight deadlines, his approach blends cinematic style with disciplined structure—always in service of the story.

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